Pothikkettu is a monthly editorial that ‘wraps up’ the issue for our readers.
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A Kerala Studies Blog
Pothikkettu is a monthly editorial that ‘wraps up’ the issue for our readers.
Read moreIn light of a lack of conventional historical sources, Sadik weaves a cultural and Islamic history of Tirurangadi using available archival materials and oral narratives from his fieldwork.
Read moreEven as OTT brings Malayalam cinema to urban elites across India, we forget the transregional viewership that Malayalam cinema has long enjoyed among Gulf migrants. Drawing from his own life, Nehal reflects on how Malayalam cinema speaks to the Bihari Gulf migrant experience.
Read moreIn this reflective account on the women’s football in Kerala, Amritha shares her uneasy feelings around the less visible Kerala Women’s League.
Read moreHappy New Year! It is a pleasure to begin this year on a promising note. As you all know, Ala[…]
Read moreThe art of weaving grass mats is fast disappearing from a small village in Kerala, yet eight women weavers hold the fort against rapidly changing economic conditions. What is at stake in keeping alive an art form that seems to have outlived its times? Aswathy delves into this universal question by telling the story of the Killimangalam pulpaya and its makers.
Read moreThe recently released film, Kaathal, has ignited public discussions of gender and sexuality in Kerala. But to what extent does it subvert Kerala’s norms around family, caste, and class? Sandra Elizabeth Joseph reflects.
Read moreAla speaks to Ruchi Chaturvedi, whose book, Violence of Democracy, published this year, draws on years of engagement with political violence in north Kerala to think about the forms of violence produced by the very practice of democracy.
Read moreDespite outreach from the government in recent years, migrant labourers—especially dependent migrants—continue to face social, economic, and political hardships that make integration challenging. Athira writes about these hurdles, focusing on the experience of women and children who often accompany the employed male.
Read moreThe ways in which we have come to negotiate with the presence of technology in our lives are multiple and varied. Himaganga revisits the 2021 Malayalam film Chathurmukham to see how the techno-horror genre represents some of the anxieties that surround the pervasiveness of media devices in our everyday lives.
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