The recently released film, Kaathal, has ignited public discussions of gender and sexuality in Kerala. But to what extent does it subvert Kerala’s norms around family, caste, and class? Sandra Elizabeth Joseph reflects.
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A Kerala Studies Blog
The recently released film, Kaathal, has ignited public discussions of gender and sexuality in Kerala. But to what extent does it subvert Kerala’s norms around family, caste, and class? Sandra Elizabeth Joseph reflects.
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In anticipation of Deepa Das Acevedo’s forthcoming book, The Battle for Sabarimala: Religion, Law, and Gender in Contemporary India (Oxford University Press, forthcoming), Ala spoke to Deepa about the nuances of the case, and the meeting of the old and the new in this heavily mediatised legal battle for women’s entry into a temple.
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At a time when working from home, adopted at the height of the pandemic, is being presented as offering added flexibility for women in the workplace, G S Divya delves into the lived experiences of Malayali women in the IT sector to examine the patriarchal implications of ‘work-from-home’.
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As thousands of middle-class Malayali women migrate to cities outside Kerala, Ashwathy provides an intimate portrait of how they might negotiate questions of home, belonging, and anonymity.
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Accompanied by original sketches, Gaya Hadiya shares her experiences of chayakkadas in Kerala, highlighting how they reflect the gender, caste and class relations in the region.
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Kerala’s fishing communities are beseiged by long-standing social marginalisation, ongoing climate change, and the recent pandemic. The women of these communities, who are predominantly engaged in fish vending, voice the multiple challenges they face.
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Ever since Aleena’s collection of poems, ‘Silk Route’, was published by Goosebery Publications in July 2021, her works have been discussed widely on social media, for her use of the Malayalam language in innovative ways while discussing complex politics. Aleena talks to Ala about her poems and their politics, and about using horror as a genre for poetry.
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Sreejith delves into three of M. R. Renukumar’s illustrated stories for children, exploring how these rich portrayals of the turbulent lifeworlds of boys convey the complexities of gender, caste, and social marginalization for young readers.
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Accompanied by her original illustrations portraying their work and workspaces, Reema K. presents stories of women from Kerala’s Moosari community of sculptors.
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How and why do certain films make the viewer feel that they are being followed? Shonima N. analyses two recent Malayalam films to examine how they play with the male gaze to unsettle the spectator.
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