A Kerala Studies Blog
Greeshma C. P explores the evolution of the “photographer-hero” in Malayalam cinema, tracing how the camera symbolically shapes modern Malayali masculinity; from morally upright observers to tragic figures, these characters reveal the tensions between modernity, patriarchy, and cinematic identity.
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S. Harikrishnan writes about how Malayalam cinema uses couple-and-wedding photographs as a useful plot device—to guide narrative, enhance contrast and add depth to characters.
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Moving between memory and history, poetry and prose, Kerala and Tanzania, May Joseph reflects on her parents’ experiences as Malayali migrants to Tanzania in the mid-twentieth century.
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K. R. Sunil captures the emotions, intensity, and the frenzied atmosphere of Kodungallur’s Meena Bharani in his series of photographs.[…]
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Shafeeq writes about the need to re-imagine migration through the everyday stories of those who travel, and away from the[…]
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K. R. Sunil’s photo exhibition, Manchukkar: The Seafarers of Malabar, tells stories of pain, sacrifice and friendship.
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A photo-essay on Kutiyattam’s art of storytelling through the eyes. S. Harikrishnan Kutiyattam is the ancient tradition of Sanskrit drama performed either[…]
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